Occupation time and parallel times - Simultaneity of different demands
In the present study, the most representative possible gainful occupations were selected for the different forms of time in occupations which, as illustrated, can be explained on the basis of historical development and the social function assigned to them.12
- The midwives stand for occupations that deal with natural timelines, that is, the form of time that is (still) bound to the rhythms of nature.
- The tram drivers stand for occupations that are tied to clock time and whose procedures are strictly synchronised and provided with little scope for temporal variation.
- The site managers represent those occupations that visualise the future in that they plan and carry out projects and integrate themselves and other people's time into the planned project time.
- And finally, the artists represent occupations that have a strong personal time orientation, gear their activities to their own feelings and to the time of the materials they work with.
As subjects of their action, however, those who practice the professions are linked not only with the "occupation time" but also with a personal biography and the concomitant experience and intentions for the future. Thus they are at the same time "agents of their own time".
In addition they have to co-ordinate different times in which they are integrated with their lives: the schedules of public transit, TV programmes, the children's school and supervision times, the opening hours of canteens, businesses and offices etc. "With the coexistence of times in a highly differentiated society, the individual faces a wide variety of pressures to harmonise their own time with the demands of the institutionalised time of others."13
If one wishes to study the differences in time in occupations, the relationship of individuals to different times and their own life becomes significant. The significance of life and death and whether life itself is seen as something malleable as in Rammstedt's14 concept of the "linear open future" affects the relationship between time and occupation. For that reason, the study dealt with not just the experience of time in the occupation but biographical developments and one's dealings with time outside occupational activity as well.
Figure 1: Factors influencing the subjective experience of time in the occupation

Figure 1 shows the different factors influencing the experience of time in occupations. In addition to a systematic evaluation of the interviews in terms of this structure, and reflecting it, a theory of each "occupation time" was developed on the basis of a detailed analysis of selected passages from interviews relating to occupational action.15 If one looks at the interview results in the occupations, one sees, by way of example, the following phenomena:
Tram drivers
Their career backgrounds differ and seem to depend greatly on coincidence and not so much on their calculated planning. Their own lives are therefore seen more as determined by outside forces rather than as capable of being influenced by their own decisions.
Parallels appear outside their occupation with regard to their hobbies, which they have tended and still tend to pursue alone. The small number of cases leaves it unclear, however, whether their passion for highly structured gardening work is coincidental or owing to the need to make an additional contribution to feeding the family or the urge to have a clearly structured task in their leisure time as well (some of the statements suggest the third possibility). "Everything is planned almost down to the last minute, even during the holidays. I don't have any time! ... No, I wouldn't say that if I didn't mean it. Everything is planned down to the last detail in my case."16
Their identification with their occupation is pronounced to varying degrees.
If one looks at the sphere of occupational action of the tram drivers one finds they have very little scope for creativity in their day-to-day work because the time connections between the "tram system" and the surrounding world are to a large extent regulated. (One can see the tram journey as a closed space that one enters and then must comply with its rules.) The skill of the tram drivers resides precisely in their adapting their own procedures to prescribed time patterns that recur over and over in almost the same form. Punctuality is their central goal and they strive to remain calm and courteous in "difficult times" and to take the interests of their customers (the passengers) into account as best they can.
For them, the experience of time seems like flowing into the given requirements, just as their career path seems like acquiescence in the opportunities arising. Time here is not "their time" but "someone else's time", existing circumstances exiting from which goes hand in hand with rediscovering one's own time.
Midwives
Few parallels can be identified in their biographies, except for the similarity in the orientation of their hobbies towards spending time together with friends without claims to product-related benefits. But such hobbies lose significance with the start of employment (plus the fact that family life "leaves no time for it" as well). All midwives have a strong tendency to identify themselves with their occupation. At an early point in their lives they declared practicing the occupation to be their goal and geared their personal life projects to it, in some cases even changing their places of residence for that purpose.
In their occupation, time is flexibly placed at the disposal of the requirements of the moment. They consider it reasonable to let the natural process of childbirth structure time. However, their own procedures cannot be planned and create a state of tension between having to put aside their own needs on the one hand and having to exude calmness and level-headedness as supporters of a valuable process on the other.
They give their time to life and give life the time it needs and in doing so they put something of a strain on their own possibilities. "... so you run from one woman to the next and then on top of that you have to apologise.... I can't ever organise my own time." 17
It seems to be a peculiarity that in this field of social action no time demands are set in terms of duration because it is accepted that the length of time a birth takes can vary and the efficiency of a midwife is measured in terms of qualitative and not quantitative variables, i.e. the successful course of childbirth with as little damage to mother and child as possible. The midwives subordinate themselves to unplannability: "I always try not to let it show, although I never really have time for anything."18
Site managers
They learn to schedule their own time and set themselves goals in their time at a remarkably early point in their life. Now they apply those skills in scheduling their time and that of others, set themselves goals, master the tool of long-term project planning and the partitioning of time in intermediate steps and target segments. Time is conceived as a line stretching into the future, and past time is reflected and thought of and interpreted to a large extent as capable of being shaped.
Using their own expertise and their hierarchic function they build up resistance to outside demands on the time they have scheduled and enforce their own time schedules. From the perspective of system theory they represent a function in which the time of a segment of society is controlled and therefore the time logic that applies there is internalised and at the same time adaptation to the times of other social segments is undertaken, as in the case of the subcontracted supply of building materials, the time of business partners or the logic of the supply of energy of another company.
They see their task as being able to use time as effectively as possible in terms of company goals or career goals. This objective takes up skills which they developed early and which they developed for the purpose of learning to tell time in their childhood and in connection with the requirement imposed on them to keep an eye on "their time". We also see it in their achievement-orientedness in their hobbies, in which, however, they have sometimes lost track of time. To some extent they continue to pursue those hobbies, and to some extent the hobbies had an influence on their vocational orientation.
For effective use of time, it is incumbent upon them to make decisions about when things can or cannot be accelerated through greater work input, when punctuality is necessary and when not, and when it is better to slow processes down instead. They know from their experience that speed does not always guarantee that the goal will be attained early and successfully.
If one looks at their identification with their occupation, it seems that despite purposeful qualification pathways, including pathways with professional content, they can conceive of doing something "quite different" and working in a management position in a different industry.
Their life and career planning seems to be very conscious and considered. They see themselves not just as shapers of their time in the occupation but as shapers of their lives outside the occupation as well. "I set myself certain targets at the beginning of the year or at the beginning of the day or at the beginning of a building project and then I actually try to drive myself as well on that because I want to know, Can it be done? Can I do that?"19
Artists
While the artist's profession is accompanied by the image of a highly individual personality, one was surprised by the many parallels that there were in the biographical interviews within the "artists' group". They mostly devoted themselves to their hobbies alone and where possible they avoided organised recreational events.
Figure 2: Phenomena of the experience of time in their occupation among artists

Figure 2: Phenomena of the experience of time in their occupation among artists
It is common to all the respondents that they have geared their entire life project to their occupational goals of being able to work as artists. They live alone, without families, and organise their time according to the dynamics of their creativity. They are limited only by the working hours in their side jobs (if necessary to make a living) or sleeping and eating. "I write as long as I feel a creative flow. Such effusions can last for several hours. Mostly sleep and my side job are what determine the rhythm of my work."20
If time constraints arise in their occupation in connection with models or differing time stipulations of their clients, they perceive them as quality-diminishing and unpleasant. They unanimously describe phenomena of "being outside of clock time" when they "lose themselves" in their acts of artistry, plunge into the happenings of the moment. For them these phenomena are inseparable from artistic performance because the time for art cannot be scheduled but requires the ability to wait for the right moment. "Patience is just the nicest time to understand something without learning." 21
This also shows the parallels with the consumption of the artistic act, which takes place almost entirely outside of a time link with another social sphere. The viewer or reader is free to decide when to take in a work of art. In that respect, personal time, when art absorbs their entire being, is the decisive parameter for the artist.
The elevated status connected with freedom to dispose of their time goes hand in hand with a large degree of dependence on the market, which decides whether they can realise their life projects or will have to switch to other activities to make a living. "What I want to achieve in my work is that some day they will understand me and be able to afford to support me so that I can live my life."22